[PDF] Jean Luc Mylayne September 8 October 22 1995 eBook

Author : Deborah Wye
Publisher : Parkett Verlag
Page : 364 pages
File Size : 26,50 MB
Release : 2001
Category : Art
ISBN :

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For nearly two decades Parkett has been the leading international journal on contemporary art. Its in-depth presentations on artists have become the standard for criticism and analysis, and being selected to be in Parkett is considered an honor for contemporary artists worldwide. More than 100 artists have collaborated with Parkett on both the journal's content and the production of special art editions made available to the readers of Parkett. In this new catalogue raisonne, each of the 120 artists' editions are fully documented and reproduced in full color. Along with the editions, this volume also pays tribute to the many authors who have written texts for Parkett by providing a complete index of their contributions, and it reproduces each Parkett cover, now more than 60, in full color. Deborah Wye, a curator at the Museum of Modern Art, writes an essay looking at the various methods of collaboration between Parkett and the artists, including the editions, inserts, spines, covers, and design of the publication. Susan Tallman explores the diversity and richness of the artists' editions through the years. This book coincides with the exhibition Collaborations with Parkettt: 1984 to Now, at the Museum of Modern Art, New York, in the spring of 2001.

Author : M. D. B. Stephens
Publisher :
Page : 426 pages
File Size : 50,32 MB
Release : 2010
Category : Drugs
ISBN : 9780956087485

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This text looks at the safety of drugs from the beginning of time until 1961, including six marker drugs and the problems of 50 drugs subsequently withdrawn or restricted.

Author : Alexander Alberro
Publisher : MIT Press
Page : 628 pages
File Size : 12,93 MB
Release : 2000-08-25
Category : Design
ISBN : 9780262511179

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This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

Author : Gary Hume
Publisher :
Page : 64 pages
File Size : 15,88 MB
Release : 2018-02-27
Category : Art
ISBN : 9781944929152

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In his latest body of work Hume focuses on a range of subjects, but at its core is a suite of highly personal paintings about memory and loss. His mother is 86 years old and suffers from dementia. And while the ostensible subjects of many of the new paintings are flowers, their titles ? Mourning, Spent, Blind ? reflect Hume?s thoughts of her. Mum on the Couch (2017), a more direct portrait, depicts the artist?s aging mother in her current condition, a poignant contrast to the vibrant woman of her son?s memories.00This catalogue includes large-format full-color reproductions of more than thirty new works. In addition to Hume?s signature aluminum panels, he recently began painting on large sheets of paper. His preferred paint, a highly reflective household gloss, creates textures and reflections on the paper that become an integral part of the work. As Alexander Nagel writes in the essay, ?Apparitions of shifting light and shade playing over the surface, we are always part of their subject matter.?00Exhibition: Matthew Marks Gallery, New York, USA (04.11.-22.12.2017).

Author : John Baldessari
Publisher : Museum of Contemporary Art, San Diego
Page : 122 pages
File Size : 50,21 MB
Release : 1996
Category : Art
ISBN :

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The Profits of Charity examines the contemporary law governing the involvement of charity in commerce and explores the reasons why this involvement is dramatically changing. From a perspective familiar to charity lawyers, NGO managers, and scholars, Kerry O'Halloran identifies the concepts and the law underpinning charities and their profits by tracing legal developments in the field and identifying the resulting opportunities and challenges for the future. At a time when many leading nations are confronting economic recession, the threat of terrorism, and the retreat of the 'welfare state,' this book explores why governments are turning to charities in their quest to cultivate social capital, consolidate civil society, and promote civic engagement. In The Profits of Charity, Professor O'Halloran undertakes a comparative analysis of the balance struck among government, charity, and commerce in five leading common law nations, including the United States, Canada, England andWales, New Zealand, and Australia. He uses analysis of legislation, outcomes of charity law reviews, and recent case law to illustrate jurisdictional differences, and concludes with an assessment of the extent and significance of the recalibrated relationship and considers the overarching issues that arise between charity law and social policy.