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Wu Guanzhong: Beauty Beyond Form 吴冠中 : 大美无垠

Author : Low Sze Wee
Publisher : National Gallery Singapore
Page : 212 pages
File Size : 21,58 MB
Release : 2016-01-31
Category : Art
ISBN : 981098135X

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A giant among artists of his generation, Wu Guanzhong is celebrated for his distinctive synergy of Western oil painting and Chinese ink aesthetics, as well as his modernisation of Chinese ink painting. This catalogue accompanies the National Gallery Singapore’s exhibition that showcases Wu’s oeuvre over five decades and inaugurates the permanent gallery dedicated to the artist. Accompanying essays within expand upon themes of the exhibition and offer insight into Wu’s beliefs regarding the function of art. A bilingual publication in English and Chinese.

Wu Guanzhong

Author : Guanzhong Wu
Publisher :
Page : 214 pages
File Size : 27,66 MB
Release : 1989
Category : Art
ISBN :

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Wu Guanzhong

Author : Anne Farrer
Publisher :
Page : 184 pages
File Size : 42,18 MB
Release : 1992
Category : Art
ISBN :

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Anxiety Aesthetics

Author : Jennifer Dorothy Lee
Publisher : Univ of California Press
Page : 277 pages
File Size : 45,87 MB
Release : 2024-02-06
Category : Art
ISBN : 0520399285

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Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978–80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.

Between Two Cultures

Author : Wen Fong
Publisher : Metropolitan Museum of Art
Page : 302 pages
File Size : 31,33 MB
Release : 2001
Category : Painting
ISBN : 0870999842

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The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.

獨立風骨

Author : 吳冠中
Publisher :
Page : 166 pages
File Size : 26,82 MB
Release : 2010
Category : Painting, Chinese
ISBN :

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The Lyrical in Epic Time

Author : David Der-wei Wang
Publisher : Columbia University Press
Page : 537 pages
File Size : 34,36 MB
Release : 2015-01-20
Category : Literary Criticism
ISBN : 023153857X

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In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.

Chinese Art

Author : Maxwell K. Hearn
Publisher : Metropolitan Museum of Art
Page : 313 pages
File Size : 39,88 MB
Release : 2001
Category : Art, Chinese
ISBN : 0870999834

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China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.

Art History, Narratology, and Twentieth-Century Chinese Art

Author : Lian Duan
Publisher : Taylor & Francis
Page : 231 pages
File Size : 45,85 MB
Release : 2023-07-28
Category : Art
ISBN : 1000919420

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This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective. Theoretically and methodologically oriented, this is a self-reflective meta-art history studying the art historical narratives while narrating the story of modern and contemporary Chinese art. Thus, this book explores the three layers of narrative within the narratological framework: the first-hand fabula, the secondary narration, and the tertiary narrativization. With this tertiary narrativization, the reader-author presents three types of narrative: the grand narrative of the central thesis of this book, the middle-range narrative of the chapter theses, and case analyses supporting these theses. The focus of this tertiary narrativization is the interaction between Western influence on Chinese art and the Chinese response to this influence. The central thesis is that this interaction conditioned and shaped the development of Chinese art at every historical turning point in the twentieth century. The book will be of interest to scholars working in art history, critical theory, Chinese studies, and cultural studies.