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Blissful beginnings for a young couple turn into a nightmare after purchasing their dream home in Wales in 1989. Their love and their resolve are torn apart by an indescribable entity that pushes paranormal activity to the limit. Haunted: Horror of Haverfordwest is the prequel to the bestselling A Most Haunted House. Dare you step inside...
Get that red crayon ready! With this coloring book for adults channeling The Walking Dead meets The Secret Garden, comics creator/rock star Alan Robert (Crawl to Me, Killogy, Wire Hangers) invites fans of horror to discover their inner-colorist. Through intricate pen and ink illustrations to complete, color, and embellish, readers will meet an onslaught of severed heads, monsters, deadly weapons, and skeletal remains. Visit burial grounds, the zombie apocalypse, serial killer lairs, and gruesome torture chambers. Horror fans and newcomers alike will welcome this GOREgeous and creative journey into a blood-soaked new world.
Freed of the ancient ghost that pined for Melanie's love, the VanBuren family now faces a modern-day spirit with one terrifying obsession: she wants the children! Melanie and Gary must do all they can to keep Gina, Kyle and Nancy out of the clutches of evil. If they thought the horror was in the past they were sadly mistaken… Don’t miss this electrifying sequel to Ghost House! PRAISE FOR CLARE MCNALLY: “You won’t sleep after you read this one!” —The West Orange Times on Somebody Come and Play "A macabre imagination and a tight rein on your nerves are required for McNally's latest release.” —Publishers Weekly on Good Night Sweet Angel
“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.
It was a job any kid would kill for: to play a role in the Historical Society's Haunted House Halloween fundraising event. Ellen Streater was thrilled to play Joan of Arc, burning at the stake. It was for a good cause—to benefit the eerie old Clayton House, soon to reopen as a museum. They said the house was haunted. Ellen didn't believe it—until she felt a strange, icy feeling when she touched the beautiful Fairylustre bowl. Then she saw the ghost in the mirror—a beautiful phantom who beckoned her into a nightmare beyond her wildest dreams. "Entertaining and appealing, with lively and believable young people and a personable ghost." —School Library Journal
A New York Times bestseller The Haunting of Sunshine Girl,in active development for television by The Weinstein Company, a hit paranomal YA series based on the wildly popular YouTube channel about an "adorkable" teenager living in a haunted house. Shortly after her sixteenth birthday, Sunshine Griffith and her mother Kat move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn't recognize it, Sunshine knows that something about their new house is just ... creepy. In the days that follow, things only get stranger. Sunshine is followed around the house by an icy breeze, phantom wind slams her bedroom door shut, and eventually, the laughter Sunshine hears on her first night evolves into sobs. She can hardly believe it, but as the spirits haunting her house become more frightening-and it becomes clear that Kat is in danger-Sunshine must accept what she is, pass the test before her, and save her mother from a fate worse than death.
Haunted is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They’re told by people who have answered an ad for a writer’s retreat and unwittingly joined a “Survivor”-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you’ll ever read, one that could only come from the mind of Chuck Palahniuk.
Haunted Homes is a short but groundbreaking study of homes in horror film and television. While haunted houses can be fun and thrilling, Hollywood horror tends to focus on haunted homes, places where the suburban American dream of safety and comfort has turned into a nightmare. From classic movies like The Old Dark House to contemporary works like Hereditary and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse. She traces how the haunted home film was intertwined with the expansion of American suburbia, but also explores works like The Witch and The Babadook, which transport the genre to different times and places. This lively and readable study reveals how and why an increasing number of films imagine that home is where the horror is. Watch a video of the author discussing the topic Haunted Homes (https://youtu.be/_irTEfvtZfQ).
Eight college students decide to go to a village that appears in no map. A ghost of a young girl with a creepy smile and a spirit hungry for power. A supernatural-mystery-horror story with an unexpected ending.