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This edition is based on the first editions corrected by the composer and the versions found in The Complete Works of Rachmaninoff published in Russia since 1949. Brief analyses, together with practice and performance suggestions, should help pianists unfamiliar with these works to begin their study effectively. Elegie, Op. 3, No. 1" and "Melodie Op. 3, No. 3" are Federation Festivals 2016-2020 selections. A Federation Festivals 2020-2024 selection."
This edition is based on the first editions corrected by the composer and the versions found in The Complete Works of Rachmaninoff published in Russia since 1949. Brief analyses, together with practice and performance suggestions, should help pianists unfamiliar with these works to begin their study effectively.
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
Compiled from a survey conducted among hundreds of U. S. piano teachers, these 64 well-known melodies were selected as being the most popular. Titles: * America * American Patrol * America, the Beautiful * Andante Cantabile * Dance of the Hours * España * Fantasy-Impromptu Theme * Für Elise * Give My Regards to Broadway * Hava Nagila * La Cumparsita * Parade of the Tin Soldiers * Pomp and Circumstance * Tarantella in D Minor * Waiting for the Robert E. Lee * Yankee Doodle Boy and many more. With larger notation, fingering, pedaling and phrasing, this edition is perfect for "young" pianists of all ages.
At the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice. As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences. With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.
Such familiar works as Beethoven's "Sonatina in G" and Clementi's "Sonatina in C," Op. 36, No. 1 are balanced by lesser-known sonatinas of Latour, Wanhal, Halsinger and Pleyel. Palmer's helpful edition includes a brief introduction to sonatina form and a short biography of each composer. An excellent choice for early-intermediate to intermediate piano students.
Internationally renowned concert pianist Joseph Banowetz presents this inspired collection of Sergei Rachmaninoff's most cherished original masterworks. This volume includes a comprehensive preface with detailed performance notes on the music, vintage photographs, and the composer's biography. The companion CD features a brilliant performance by Joseph Banowetz. Titles: Untitled Composition, Op. posth. * Flight of the Bumble Bee * Humoresque, Op. 10, No. 5 (second version) * Nocturne, Op. 10, No. 1 * Morceau de fantaisie (Fantasy Piece) * Elégie, Op. 3, No. 1 * Romance, Op. 10, No. 6 * Polichinelle, Op. 3, No. 4 * Prélude, Op. 3, No. 2 * Moment musical, Op. 16, No. 5 Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents. He was awarded the Liszt Medal by the Hungarian Liszt Society in recognition of his outstanding performances of Liszt and the Romantic literature.
"A Complete History of Music for Schools, Clubs, and Private Reading" is a great source of information on the history of music from ancient times to publishing. This work aims to give an overall picture of how music evolved in the world. It traces the development of the musical art across different countries. Broken into 60 lessons, it will be great both as a class manual and as a reader's companion.