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Set amidst the gorgeous backdrop of Provence, Serena Kent’s second book in the deliciously entertaining Penelope Kite series finds the amateur sleuth romantically linked with the mayor of St. Merlot and dashing to solve the murder of an expat artist—perfect for fans of Peter Mayle and Agatha Christie. After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor attend a glamorous gallery opening, Penelope’s biggest worry is embarrassing herself in front of her date. But the evening takes a horrifying turn when a controversial expat painter, Roland Doncaster, chokes to death. A tragic accident? Or a malicious plot? Reluctantly drawn into the murder investigation, Penelope discovers that any number of jealous lovers and scheming rivals could be involved. And with dashing art dealers to charm, patisseries to resist, and her own friends under suspicion, Penelope will need to draw upon all her sleuthing talents to uncover the truth. Set against the stunning vistas of Provence, Serena Kent returns with the second installment of her charming mystery series featuring the unflappable Penelope Kite.
The first entry in a clever, lighthearted mystery series set in modern Provence—a delightful blend of Agatha Christie and Peter Mayle—featuring the irrepressible Penelope Kite, a young-at-heart divorcee with a knack for stumbling across dead bodies. It’s love at first sight when Penelope Kite sees Le Chant d’Eau—The Song of Water—the stone farmhouse tucked high in the hills above the Luberon valley, complete with a garden, swimming pool, and sweeping mountain vistas. For years, Penelope put her unfaithful ex-husband and her ungrateful stepchildren first. Since taking early retirement from her job in forensics at the Home Office in England, she’s been an unpaid babysitter and chauffeur for her grandchildren. Now, she’s going to start living for herself. Though her dream house needs major renovations, Penelope impulsively buys the property and moves to St. Merlot. But Penelope’s daydreams of an adventurous life in Provence didn’t include finding a corpse floating face down in her swimming pool. The discovery of the dead man plunges her headlong into a Provençal stew of intrigue and lingering resentments simmering beneath the deceptively sunny village. Having worked in the forensics office, Penelope knows a thing or two about murder investigations. To find answers, she must carefully navigate between her seemingly ubiquitous, supercilious (and enviably chic) estate agent, the disdainful chief of police, and the devilishly handsome mayor—even as she finds herself tempted by all the delicacies the region has to offer. Thank goodness her old friend Frankie is just a flight away . . . and that Penelope is not quite as naïve as her new neighbors in St. Merlot believe. Set against the exquisite backdrop of Provence, steeped in history, atmosphere, and secrets, Death in Provence introduces an irresistible heroine and a delightful new mystery series.
"The second book in the Penelope Kite series. After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor Laurent Millais attend a glamorous gallery opening, a scandal-free evening is not in the cards. The evening comes to a horrifying halt when a controversial painter, Poland Doncaster, chokes to death. A tragic accident? Or a malicious plot? Embroiled once more in a murder investigation, Penelope discovers that any number of jealous lovers and scheming rivals could be involved. And with dashing art dealers to charm, patisseries to resist, and her own friends under suspicion, Penelope will need all her sleuthing talents to uncover the truth"--
A Jewish family and other fascinating characters deal with prejudice and the Black Death in 14th-century Avignon'--until then the most prosperous and vibrant city in medieval France
Every great play needs a drama queen. Preferably alive. The French city of Avignon is known for many things: its Papal Palace, the annual summer theater festival, its Medieval bridge of nursery rhyme fame…and now murder. When a popular actress is killed during Avignon's famous summer theater festival, all the evidence points to the police needing a fast resolution--regardless of the truth. It will be up to Maggie to find the killer who wanted the city’s most popular actress dead—and before he turns his attention on her. As Maggie desperately scours this beautiful medieval city for clues to uncover the killer's identity, it soon becomes clear that failing will put her center stage with her most ruthless adversary yet--with the final curtain about to come crashing down on everything she holds dear.
The Girl from Avignon is a compelling story of a dystopian world where some of the most tragically flawed characters you will ever meet become engaged in a fight for love, power, and equality. This novel is an important work that raises serious questions about the ethics of modern science and the irrepressible power of human desire.
From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.
The area known as Dogtown -- an isolated colonial ruin and surrounding 3,000-acre woodland in storied seaside Gloucester, Massachusetts -- has long exerted a powerful influence over artists, writers, eccentrics, and nature lovers. But its history is also woven through with tales of witches, supernatural sightings, pirates, former slaves, drifters, and the many dogs Revolutionary War widows kept for protection and for which the area was named. In 1984, a brutal murder took place there: a mentally disturbed local outcast crushed the skull of a beloved schoolteacher as she walked in the woods. Dogtown's peculiar atmosphere -- it is strewn with giant boulders and has been compared to Stonehenge -- and eerie past deepened the pall of this horrific event that continues to haunt Gloucester even today. In alternating chapters, Elyssa East interlaces the story of this grisly murder with the strange, dark history of this wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. East knew nothing of Dogtown's bizarre past when she first became interested in the area. As an art student in the early 1990s, she fell in love with the celebrated Modernist painter Marsden Hartley's stark and arresting Dogtown landscapes. She also learned that in the 1930s, Dogtown saved Hartley from a paralyzing depression. Years later, struggling in her own life, East set out to find the mysterious setting that had changed Hartley's life, hoping that she too would find solace and renewal in Dogtown's odd beauty. Instead, she discovered a landscape steeped in intrigue and a community deeply ambivalent about the place: while many residents declare their passion for this profoundly affecting landscape, others avoid it out of a sense of foreboding. Throughout this richly braided first-person narrative, East brings Dogtown's enigmatic past to life. Losses sustained during the American Revolution dealt this once thriving community its final blow. Destitute war widows and former slaves took up shelter in its decaying homes until 1839, when the last inhabitant was taken to the poorhouse. He died seven days later. Dogtown has remained abandoned ever since, but continues to occupy many people's imaginations. In addition to Marsden Hartley, it inspired a Bible-thumping millionaire who carved the region's rocks with words to live by; the innovative and influential postmodernist poet Charles Olson, who based much of his epic Maximus Poems on Dogtown; an idiosyncratic octogenarian who vigilantly patrols the land to this day; and a murderer who claimed that the spirit of the woods called out to him. In luminous, insightful prose, Dogtown takes the reader into an unforgettable place brimming with tragedy, eccentricity, and fascinating lore, and examines the idea that some places can inspire both good and evil, poetry and murder.