[PDF] Captain Satan 5 The Ambassador From Hell eBook
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Phony guys and phony money, protected by a squadron of killers with hot guns in their hands! These are the men that Satan must fight as he becomes the Ambassador From Hell! The rivers of blood flow swiftly through the Underworld where the law has lost its grip, and Satan alone has the guns and the fists, plus the courage and brains to defeat them!
They called them the Ambassadors From Hell'these fighting fools of Satan's Crew. Captain Satan!'only a name, but burned by the brand of justice into the heart of the underworld! Captain Satan featured a crime-fighting hero much in the style of Robin Hood or The Saint, who robbed from the crooks'a grim, hard vigilante of justice. By day, he was wealthy Cary Adair. By night, Captain Satan! Assisted by a dozen aides, none of whom knew the identities of the others, this scourge of the underworld brought terror to all men of evil who saw his calling card, a devil figure projected onto the wall by a portable light. Captain Satan now returns in these vintage pulp tales, reissued for today's readers in electronic format.
He held in his hands the burning Brand of Hell, and in his heart was locked the courage of the Gods! Wise guys and tough mugs, crooks and their thieving mobs knew the Mark of Satan; and they knew the swift ghosts of Fear and Destruction that rode by his side-the many fierce hands of Justice that fought in Satan's Crew!
The History of the Devil (1900) is a philosophical study by Paul Carus. A lifelong Monist, Carus sought to apply a scientific analysis to the principles of humanity’s religions. Credited with bridging the gap between Eastern and Western beliefs, Carus believed that the dualism rampant in the West could be replaced in order to establish a more equitable world where difference and diversity would be accepted and nurtured, rather than suppressed. “This world of ours is a world of opposites. There is light and shade, there is heat and cold, there is good and evil, there is God and the Devil. The dualistic conception of nature has been a necessary phase in the evolution in human thought.” Recognizing the need for dualism in the history of humanity, Carus sought to promote the principles of Monism in the West, believing it could lead to a universal worldview capable of uniting East and West. A positivist and pantheist, Carus believed that by pursuing “in religion the same path that science travels, [...] the narrowness of sectarianism [would] develop into a broad cosmical religion which shall be as wide and truly catholic as is science itself.” To lay the groundwork for this “cosmical religion,” he investigates the figure of the Devil and the historical evolution of the concept of evil, which he saw as predating belief in goodness and God. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Carus’ The History of the Devil is a classic of philosophy reimagined for modern readers.
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
In Piracy and the Origins of Universal Jurisdiction, Mark Chadwick relates a colourful account of how and why piracy on the high seas came to be considered an international crime subject to the principle of universal jurisdiction, prosecutable by any State in any circumstances.