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Foreword by Martín Espada This chapbook collection offers new poems from the prolific career of a community leader, activist, and healer. Luis J. Rodríguez's work asks profound questions of us as readers and fellow humans, such as, If society cooperates, can we nurture the full / and healthy development of everyone? In his introductory remarks, Martín Espada describes the poet as a man engaged in people and places: Luis Rodríguez is a poet of many tongues, befitting a city of many tongues. He speaks English, Spanish, 'Hip Hop, ' 'the Blues, ' and 'cool jazz.' He speaks in 'mad solos.' He speaks in 'People's Sonnets.' He speaks in the language of protest. He speaks in the language of praise.
Borrowed Bones focuses on human existence. Each poem offers a glimpse into the everyday life of random individuals who are all passing through important milestones of their life experience.
The instant USA Today bestseller! The first in a gripping new series by Paula Munier, A Borrowing of Bones is full of complex twists, introducing a wonderful new voice for mystery readers and dog lovers. Grief and guilt are the ghosts that haunt you when you survive what others do not.... After their last deployment, when she got shot, her fiancé Martinez got killed and his bomb-sniffing dog Elvis got depressed, soldier Mercy Carr and Elvis were both sent home, her late lover’s last words ringing in her ears: “Take care of my partner.” Together the two former military police—one twenty-nine-year-old two-legged female with wounds deeper than skin and one handsome five-year-old four-legged Malinois with canine PTSD—march off their grief mile after mile in the beautiful remote Vermont wilderness. Even on the Fourth of July weekend, when all of Northshire celebrates with fun and frolic and fireworks, it’s just another walk in the woods for Mercy and Elvis—until the dog alerts to explosives and they find a squalling baby abandoned near a shallow grave filled with what appear to be human bones. U.S. Game Warden Troy Warner and his search and rescue Newfoundland Susie Bear respond to Mercy’s 911 call, and the four must work together to track down a missing mother, solve a cold-case murder, and keep the citizens of Northshire safe on potentially the most incendiary Independence Day since the American Revolution. It’s a call to action Mercy and Elvis cannot ignore, no matter what the cost.
We Borrowed Gentleness interrogates the innateness of pain and forms of destruction—through natural disaster, through God, through family, and through the power structures and patriarchal violence that embeds itself in language and cultural memory. Poems critique and challenge the patriarchal narratives that dominate American history. The poems leave the question open of whether man, men, a father and son, are redeemable after the surge of rising white nationalism in America. And yet, there are poems that find, still, bits of joy and perhaps a shred of hope. By juxtaposing poems of louder narrative imagination with quieter poems that explore intimate failings within a family, often portrayed with a realist aesthetic, the book attempts to work through the essential fault in man, in men—in the structures that they design and maintain.
A lethal Unexplained Radiation Phenomenon in Puerto Rico baffles government scientists. The White House orders total secrecy and sends their top radiation expert Major Brad Stout to help. Struggling to control the spreading menace, Brad must also battle a mysterious terrorist group which interferes at every step and clearly wants him dead. If not halted immediately, the disaster will race over all Puerto Rico and then threaten the rest of the world... but there's a saboteur on the inside. And what motivates the lovely Lindsey Cowell to insinuate herself into Brad's life? Is she trying to steal him away from bride Mary Lou? With the deadly clock ticking down, whose bones must Brad borrow to finally solve the puzzle? And can he get them in time? This thriller grabs the reader by the throat in the first paragraph and doesn't let go until the last!
Scientists not so long ago unanimously believed that people first walked to the New World from northeast Asia across the Bering land bridge at the end of the Ice Age 11,000 years ago. But in the last ten years, new tools applied to old bones have yielded evidence that tells an entirely different story. In Bones, Elaine Dewar records the ferocious struggle in the scientific world to reshape our views of prehistory. She traveled from the Mackenzie River valley in northern Canada to the arid plains of the Brazilian state of Piaui, from the skull-and-bones-lines offices of the Smithsonian Institution to the basement lab of an archaeologist in Washington State who wondered if the FBI was going to come for him. She met scientists at war with each other and sought to see for herself the oldest human remains on these continents. Along the way, she found that the old answer to the question of who were the First Americans was steeped in the bitter tea of racism. Bones explores the ambiguous terrain left behind when a scientific paradigm is swept away. It tells the stories of the archaeologists, Native American activists, DNA experts and physical anthropologists scrambling for control of ancient bones of Kennewick Man, Spirit Cave, and the oldest one of all, a woman named Luzia. At stake are professional reputations, lucrative grants, fame, vindication, even the reburial of wandering spirits. The weapons? Lawsuits, threats, violence. The battlefield stretches from Chile to Alaska. Dewar tells the stories that never find their way into scientific papers — stories of mysterious deaths, of the bones of evil shamen and the shadows falling on the lives of scientists who pulled them from the ground. And she asks the new questions arising out of the science of bones and the stories of first peoples: "What if Native Americans are right in their belief that they have always been in the Americas and did not migrate to the New World at the end of the Ice Age? What if the New World's human story is as long and complicated as that of the Old? What if the New World and the Old World have always been one?"