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The wife of Bishop T.D. Jakes seeks to mentor and inspire all women-in all phases of life-on how to better enjoy life alongside their men. According to her, every woman has a man she is called to stand beside. Now, she shows each woman how to do so in a way that enhances both their lives.
The wife of Bishop T.D. Jakes seeks to mentor and inspire all women--in all phases of life--on how to better enjoy life alongside their men. According to her, every woman has a man she is called to stand beside. Now, she shows each woman how to do so in a way that enhances both their lives.
In this intimate portrait of an extraordinary father-son relationship, Mark K. Shriver discovers the moral principles that guided his legendary father and applies them to his own life When Sargent "Sarge" Shriver—founder of the Peace Corps and architect of President Johnson's War on Poverty—died in 2011 after a valiant fight with Alzheimer's, thousands of tributes poured in from friends and strangers worldwide. These tributes, which extolled the daily kindness and humanity of "a good man," moved his son Mark far more than those who lauded Sarge for his big-stage, headline-making accomplishments. After a lifetime searching for the path to his father's success in the public arena, Mark instead turns to a search for the secret of his father's joy, his devotion to others, and his sense of purpose. Mark discovers notes and letters from Sarge; hears personal stories from friends and family that zero in on the three guiding principles of Sarge's life—faith, hope, and love—and recounts moments with Sarge that now take on new value and poignancy. In the process, Mark discovers much about himself, as a father, as a husband, and as a social justice advocate. A Good Man is an inspirational and deeply personal story about a son discovering the true meaning of his father's legacy.
Who Said Men Get to Monopolize the Glory? Discover the Little Known Women Who Have Put the World's Alpha Males on the Map. From ancient times to the present, men have gotten most of the good ink. Yet standing just outside the spotlight are the extraordinary, and overlooked, wives and companions who are just as instrumental in shaping the destinies of their famous—and infamous—men. This witty, illuminating book reveals the remarkable stories of forty captivating females, from Constance Lloyd (Mrs. Oscar Wilde) to Carolyn Adams (Mrs. Jerry Garcia), who have stood behind their legendary partners and helped to humanize them, often at the cost of their own careers, reputations, and happiness. Through fame and its attendant ills—alcoholism, infidelity, mental illness, divorce, and even attempted murder—these powerful women quietly propelled their men to the top and changed the course of history. Meet the Untold Half of History, Including: •Alma Reville (Mrs. Alfred Hitchcock) •Elena Diakonova (Mrs. Salvador Dali) •Winifred Madikizela (Mrs. Nelson Mandela) •Ann Charteris (Mrs. Ian Fleming, a.k.a. Mrs. James Bond) •Ruth Alpern (Mrs. Bernie Maddoff) And 35 more!
"First of all, just for the record, I love me some me. You heard right. . .I truly love Miss Queenisha Renae Sutton. The tall, well-endowed, fine honey-coated sistah that I be." Queenisha Renae Sutton is always ready, willing and able to walk away from any man who either can't or won't appreciate her, because after all, she is all woman. Then she meets tall and handsome Zeke Washington at a charity fundraiser, and buys him lock, stock and barrel. For one night. Determined to get her money's worth, she approaches their first date with one goal: to make Zeke her man, no matter what the cost. With the help of her best friend, Poetta, who puts a "voodoo hex" on Zeke to help lure him in, Queenisha gets more than she bargained for. And before long she finds herself changing to please a man. And if love wasn't complicated enough, she discovers an even sweeter love where she least expects it.
From the "New York Times"-bestselling author of "The Jane Austen Book Club," the story of an American family, ordinary in every way but one--their close family relative was a chimpanzee.
“A lively debut biography of the flamboyant Irish writer . . . focusing on the women who loved and supported him” (Kirkus Reviews). In this essential work, Eleanor Fitzsimons reframes Oscar Wilde’s story and his legacy through the women in his life, including such scintillating figures as Florence Balcombe; actress Lillie Langtry; and his tragic and witty niece, Dolly, who, like Wilde, loved fast cars, cocaine, and foreign women. Fresh, revealing, and entertaining, full of fascinating detail and anecdotes, Wilde’s Women relates the untold story of how a beloved writer and libertine played a vitally sympathetic role on behalf of many women, and how they supported him in the midst of a Victorian society in the process of changing forever. “Fitzsimons reminds us of the many writers, actresses, political activists, professional beauties and aristocratic ladies who helped shape the life and legend of the era’s greatest wit, esthete and sexual martyr . . . provide[s] a potted biography of the multitalented writer and gay icon . . . highly enjoyable.” —The Washington Post “Fitzsimons brilliantly calls attention to the progressive ideas and beliefs which drew the most daring and interesting women of the time to his side. The depth and painstaking care of Fitzsimons’ research is a fitting tribute to Wilde’s fascinating life and exquisite writing—and really, what better compliment is there than that?” —High Voltage
Many readers may know that such writers as F. Scott Fitzgerald, James Joyce and D.H. Lawrence used their marriages for literary inspiration and material. In Russian literary marriages, these women did not resent taking a secondary position, although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. From Sofia Tolstoy to Vera Nabokov and Elena Mandelshtam and Natalya Solzhenitsyn, these women ranged from stenographers and typists to editors, researchers, translators, and even publishers. Living under restrictive regimes, many of these women battled censorship and preserved the writers’ illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West. Many of these women, like Vera and Sofia, were the writers’ intellectual companions and willingly contributed to the creative process—they commonly used the word “we” to describe the progress of their husbands’ work. And their husbands knew it too. Leo Tolstoy made no secret of Sofia’s involvement in War and Peace, and Vladimir Nabokov referred to Vera as his own “single shadow.”
National Bestseller and Winner of the PEN/Faulkner Award for Fiction Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters. As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world. "Mischievous...funny, astute...As unexpectedly generous as it is entertaining.... Christensen is a witty observer of the art universe." —The New York Times