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Some of the most poignant moments in US History happened in Baltimore. Have the ghosts of the past come back to haunt CHARM CITY? Ghost Hunter Vince Wilson takes you on a haunted journey into history! Learn the secrets of the master author of modern horror EDGAR ALLAN POE! Hear the tale of FRANK THE BODY SNATCHER! Have dinner and a drink at BERTHA'S MUSSELS and maybe you will meet the LADY IN BLACK -a ghostly apparition that appears on the stairwell! Sail away into mystery and maritime lore on the USS CONSTELLATION then check out the harbor's only HAUNTED BOOKSTORE! Why the very streets of FELLS POINT are Haunted!
This spellbinding book exposes some of Baltimore, Maryland's unknown histories and uncovers 37 hauntings along the water. From the ghost of a drowned boy in Canton to famous ghosts of Fort McHenry, these tantalizing stories pay homage to the more "spirited" residents of the Canton, Fell's Point, Inner Harbor, Federal Hill and Locust Point neighborhoods.
Take a trip though the chilling history of one of Baltimore's most interesting neighborhoods and discover the eerie ends of Fell's Points departed souls. The narrow streets and ancient pubs of historic Fells Point are filled with the spirits of the past. Pirates, privateers, sailors, smugglers and a host of others refused to let death change their address. Walk with Edward Fell in the town he founded in 1760 or flirt with the "ladies" at the Cat's Eye Pub. Climb the stairs at Bertha's Mussels to visit the little girl with no face or let a long-dead nurse take your temperature at the Admiral Fell Inn. Ghost historians and authors Mike Carter and Julia Dray introduce the spiritual residents of Baltimore's iconic waterfront neighborhood.
All the sites in the book have been chosen with an eye toward several criteria, including how accessible they are to the public, how evocative experience a trip to them is likely to produce, and the extent to which they actually appear to be haunted. A great many in the various regions of Maryland have some connection to the Colonial era, the War of 1812, or the Civil War, all significant aspects of the state's haunted history. Maryland is divided into six regions for purposes of this book: Baltimore, Central, D.C. Metro, Eastern Shore, Southern, and Western. Geographically speaking, Maryland is not a large state. It is, however, among the oldest in the country, and has a rich, varied, and turbulent history that has contributed to an exceptionally high number of haunted sites. Because it is relatively compact, Maryland is in many ways an ideal state for a haunted roadtrip -- especially in an era of historically high gasoline prices -- and many haunted sites within the same area can easily be reached on a single weekend-long trip. Indeed, although my own home is currently in Northern Virginia, on the southern side of the Potomac River from Maryland, its furthest point from me is still somewhat less than 300 miles -- as opposed to nearly 500 for some of the most distant points in southwestern Virginia. Note that this outline includes more listings than there will be room for in the book, and that a number of these will either be cut, reduced to sidebars within larger chapters, or listed in the appendix of additional haunted sites. As with Ghosthunting Virginia, research revealed early on a striking number of sites reputed by various sources to be haunted. With space in this volume for only a limited number of these, the authors carefully attempted to identify a representative selection that both emphasized variety and a struck a balance between "must include" sites -- such as the graveyard where Edgar Allan Poe is buried -- and more obscure ones that do not appear in any other books.
Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.