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Finding her voice takes on a whole new meaning when fourteen-year-old Azar Rossi sets out to win her local Battle of the Bands contest in this heartfelt and hilarious contemporary YA. Fourteen-year-old Azar Rossi’s first year of high school has mostly been silent, and intentionally so. After a bad case of colic as a baby, Azar’s vocal folds are shredded—full of nodules that give her a rasp the envy of a chain-smoking bullfrog. Her classmates might just think she’s quiet, but Azar is saving her voice for when it really counts and talking to her classmates is not medically advisable or even high on her list. When she hears about a local Battle of the Bands contest, it’s something she can’t resist. Azar loves music, loves songwriting, but with her vocal folds the way they are, there's no way she can sing her songs on stage. Then she hears lacrosse hottie, Ebenezer Lloyd Hollins the Fifth, aka Eben, singing from the locker room. She’s transfixed. He's just the person she needs. His voice + her lyrics = Battle of the Bands magic. But getting a band together means Azar has a lot of talking to do and new friends to make. For the chance to stand on stage with Eben it might all just be worth it.
Fourteen-year-old Iranian-American Parvin Mohammadi sets out to win the ultimate date to homecoming in this heartfelt and outright hilarious debut. Parvin Mohammadi has just been dumped--only days after receiving official girlfriend status. Not only is she heartbroken, she's humiliated. Enter high school heartthrob Matty Fumero, who just might be the smoking-hot cure to all her boy problems. If Parvin can get Matty to ask her to Homecoming, she's positive it will prove to herself and her ex that she's girlfriend material after all. There's just one problem: Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself hasn't worked for her in the past (see aforementioned dumping), she decides to start acting like the women in her favorite rom-coms. Those women aren't loud, they certainly don't cackle when they laugh, and they smile much more than they talk. But Parvin discovers that being a rom-com dream girl is much harder than it looks. Also hard? The parent-mandated Farsi lessons. A confusing friendship with a boy who's definitely not supposed to like her. And hardest of all, the ramifications of the Muslim ban on her family in Iran. Suddenly, being herself has never been more important. Olivia Abtahi's debut is as hilarious as it is heartfelt--a delightful tale where, amid the turmoil of high school friendships and crushes, being yourself is always the perfect way to be.
This book is for all the people who found themselves unable to share their emotional burdens with the people they care about. To the people that weren't able to give justice to their feelings, and to the fire running through their veins. To the ones that got so insecure, that the words of those around them became the bricks of the walls they built around themselves. I hope my book will make anyone who reads it feel less alone, less isolated and okay that they are unable to set free the chaos going inside of them so it won't cause any destruction to them, or to the other person. It is okay if our feelings didn't set foot where we want them to. Don't let anyone dim your light. Remember that what you are and who you are makes you beautiful.
Shortlisted for the Wellcome Book Prize 2019 '[A] painfully intense, courageous and gripping account of [Fanning's] journey to the underworld of madness and back. This is a brave and instructive book.' Irish Times 'Extraordinary. An account of mental illness, grief, delusions, homelessness, a fractured family relationship ... and all while trying to recover and create. Superb writing on a frequently difficult subject.' Sinéad Gleeson Arnold Thomas Fanning had his first experience of depression during adolescence, following the death of his mother. Some ten years later, an up-and-coming playwright, he was overcome by mania and delusions. Thus began a terrible period in which he was often suicidal, increasingly disconnected from family and friends, sometimes in trouble with the law, and homeless in London. Drawing on his own memories, the recollections of people who knew him when he was at his worst, and medical and police records, Arnold Thomas Fanning has produced a beautifully written, devastatingly intense account of madness - and recovery, to the point where he has not had any serious illness for over a decade and has become an acclaimed playwright. Fanning conveys the consciousness of a person living with mania, psychosis and severe depression with a startling precision and intimacy. Mind on Fire is the gripping, sometimes harrowing, and ultimately uplifting testament of a person who has visited hellish regions of the mind. 'Arnold Thomas Fanning offers the most vivid and unflinching window into the mind of someone who is in the throes of madness ... It was like nothing I'd read before' Rick Edwards 'Mind on Fire is a truly powerful, arresting, haunting account. Arnold Thomas Fanning has reckoned with the darkest matter of his heart and mind, and I challenge anyone not to be moved by that.' Sara Baume, author of Spill Simmer Falter Wither and A Line Made by Walking 'In this strange and singular book, Arnold Thomas Fanning mercilessly excavates the infernal underworld of his own years of madness. As reminiscent as it occasionally is of John Healy's The Grass Arena, and even of Orwell's Down and Out in Paris and London, the book is ultimately not quite like anything else I've read, and brought me as close to the lived reality of mental illness as I have ever been. It's a significant achievement: a painful, inexorable work of autobiography, whose existence is its own form of redemption.' Mark O'Connell, Baillie Gifford Prize-shortlisted author of To Be a Machine 'This is an extraordinary memoir about how it feels to be depressed, delusional, desperate' The Observer 'Incredibly important' Emilie Pine, author of Notes to Self 'A ratcheting pace, a tight first-person immediacy, and utterly staggering to be a passenger over its entire warped course ... An indelible, ground-shaking account' Hilary A White, Irish Independent, Memoir of the Year, Best Reads of 2018 'A spellbinding memoir that should prove both moving and hopefully cathartic for the reader.' RTE Culture 'Told in tight and immediate first-person, and imbued with a startling momentum that ratchets unnervingly, Fanning's publishing debut ... is a significant achievement and should be a talking point in publishing this year.' Irish Independent 'Fanning's debut book lays it on the line in a deeply personal and compelling chronicle of his descent into depression and his way back out.' RTE Guide 'Wonderful' Joseph O'Connor, Irish Times Books of the Year 'Unsparingly direct, searing and honest ... It is gripping to read and must have been exhausting to live' Medical Independent 'One of the most gripping and revealing memoirs I've read in a long time. A controlled and artful exploration of absolute loss of control, an unsettling and at times very moving reconstruction of a period of serious mental illness, Mind on Fire is a beautiful book about a terrifying thing.' Mark O'Connell, Irish Times Books of the Year 'Gripping' Sinéad Gleeson, Irish Times Books of the Year 'Shocking' Liz Nugent, Irish Times Books of the Year 'Poignant, beautifully detailed memoir' Sarah Gilmartin, Irish Times, Best debuts of 2018 'Brave and illuminating' Sunday Business Post 'This is the type of account that not only grips you wholesale as the pages flitter past, it also changes your very perception of psychology' Hilary A White, Sunday Independent Memoir of the Year
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