[PDF] Arts Portraits And Representation In The Reformation Era eBook

Author : Patrizio Foresta
Publisher :
Page : pages
File Size : 12,50 MB
Release : 2019
Category :
ISBN : 9783666552496

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The role played by artistic, literary, historical and theological representations in the establishment of the European Reformation has attracted scholarly attention over the years. While they were generally regarded as a significant means of conveying the evangelical message, particularly in a society with a low average literacy rate, this scholarly consensus was then seriously challenged by objecting that their meaning must have remained opaque to those who couldn't read and interpret their sometimes multilayered imagery and their verbal and figurative messages. This volume, which publishes some of the papers delivered at the Fourth Reformation Research Consortium Conference held in Bologna, May 15th-17th, 2014, is an attempt to examine the visual intelligibility of the European Reformation by a comparative, multiconfessional and multidisciplinary analysis of examples taken from both the Catholic and the Protestant world in the Early Modern and Modern Era, with particular reference to the figurative arts, but also to history and theology. All the case studies included here examine their peculiar subjects with regard to their religious and artistic contexts, in order to understand their historical significance in a new fashion, combining approaches from political history, history of arts, historiography, anthropology, philosophy and theology. Thus, the volume offers a very rich outline of how visual culture and representation through arts was embodied in very different cultural portraits and images.

Author : Patrizio Foresta
Publisher : Vandenhoeck & Ruprecht
Page : 497 pages
File Size : 29,15 MB
Release : 2019-07-15
Category : Religion
ISBN : 3647552496

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The role played by artistic, literary, historical and theological representations in the establishment of the European Reformation has attracted scholarly attention over the years. While they were generally regarded as a significant means of conveying the evangelical message, particularly in a society with a low average literacy rate, this scholarly consensus was then seriously challenged by objecting that their meaning must have remained opaque to those who couldn't read and interpret their sometimes multilayered imagery and their verbal and figurative messages. This volume, which publishes some of the papers delivered at the Fourth Reformation Research Consortium Conference held in Bologna, May 15th–17th, 2014, is an attempt to examine the visual intelligibility of the European Reformation by a comparative, multiconfessional and multidisciplinary analysis of examples taken from both the Catholic and the Protestant world in the Early Modern and Modern Era, with particular reference to the figurative arts, but also to history and theology. All the case studies included here examine their peculiar subjects with regard to their religious and artistic contexts, in order to understand their historical significance in a new fashion, combining approaches from political history, history of arts, historiography, anthropology, philosophy and theology. Thus, the volume offers a very rich outline of how visual culture and representation through arts was embodied in very different cultural portraits and images.

Author : Jeanne Nuechterlein
Publisher : Penn State Press
Page : 266 pages
File Size : 43,49 MB
Release : 2011
Category : Art
ISBN : 9780271036922

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"Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric"--Provided by publisher.

Author : The Staatliche Museen Zu Berlin
Publisher : National Geographic Books
Page : 0 pages
File Size : 26,3 MB
Release : 2016-11-20
Category : Art
ISBN : 3791355392

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On the 500th anniversary of Martin Luther’s 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history. aturing more than a hundred outstanding paintings, drawings, &prints, sculptures, and treasures of the Age of the Reformation, &this publication comprises masterpieces by Albrecht Du&̈rer, &Lucas Cranach the Elder and Lucas Cranach the Younger, Hans &Holbein the Elder and Hans Holbein the Younger, Matthias &Gru&̈newald, and Tilman Riemenschneider, among others. By &placing these works in their historical context, this beautifully &illustrated book uses art as a prism through which to consider &the religious, social and political upheavals of the time. The &volume includes insightful texts that discuss pivotal subjects &such as traditional imagery and devotion, Reformation and &polemics, court life and culture, humanism and reality, as well &as portraiture and representation. Biographies of the artists, &an extensive bibliography and a glossary of central terms &concerning the German Reformation make this a comprehensive &study of a fascinating period in European art history.

Author : David H. Price
Publisher : Oxford University Press
Page : 441 pages
File Size : 32,10 MB
Release : 2020-11-20
Category : Religion
ISBN : 0190074426

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This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger-- to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority.

Author : Anna Vind
Publisher : Vandenhoeck & Ruprecht
Page : 481 pages
File Size : 24,90 MB
Release : 2021-06-07
Category : Religion
ISBN : 3647570990

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The present volume aims at a clarification and a discussion of the church in the 16th century: What did the reformers think about the essence and origin of the holy, apostolic and Catholic church? What was seen as the aim of it, its task and mission? Can human beings see the true church or not? Does it have one existence in this world and another in the world to come? Furthermore, the concept of church is indissolubly connected to the theological concepts of sin, faith, justification, sanctification, and salvation, and the study of the church also involves reflection upon the nature and scope of the sacraments, the role of the clergy, the aim of church-buildings, the significance of church properties and upon the constituent parts of the mass/church service. Finally, and not least, it is important to investigate the role of the church in the societies of the 16th century, such as the impact of the ruling powers upon them, their significance for education and social cohesion, and the cultural significance of migrating believers, on the run within and beyond the borders of Europe. Together with theological, philosophical and art-historical questions, these issues are considered in order to create a much fuller picture of the church at the time of the Reformation.

Author : William A. Dyrness
Publisher : Cambridge University Press
Page : 245 pages
File Size : 29,34 MB
Release : 2019-05-23
Category : Art
ISBN : 1108493351

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The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

Author : Elisa Frei
Publisher : Vandenhoeck & Ruprecht
Page : 381 pages
File Size : 26,84 MB
Release : 2023-05-15
Category : Religion
ISBN : 3647573566

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"Profiling Saints" follows and expands the papers presented at the homonym online international conference (December 2021), which focused on cultural, theological, artistic, and social aspects of models of sanctity and their importance in the modern world up to the post-revolutionary period. This volume aims thus to shed light on the cultural value of canonizations and models of sanctity as models of Christian perfection, including the role of iconography and artworks, in the broader context of modern, global Catholicism. The topics presented by the authors include veneration to, and canonization and representations of, saint theologians, missionaries, martyrs, mystics, and reformers, men and women. "Profiling Saints" looks at modern sanctity and saints from multidisciplinary perspectives, ranging from liturgy, theology, and Church history up to history of ideas, cultural history, history of emotions, and art history, and contributes to shed light on such a complex phenomenon of Christian history in its modern developments.

Author : Joanna Pietrzak-Thébault
Publisher : Vandenhoeck & Ruprecht
Page : 383 pages
File Size : 22,64 MB
Release : 2019-01-21
Category : Religion
ISBN : 3647552771

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The book presents many aspects of the phenomenon of translation and commentary work of the Bible in the Polish-Lithuanian Commonwealth in the 16th and 17th centuries. It contains studies of eminent scholars as well as of some young adepts, coming mainly from Poland, but also from Lithuania and Czech Republic. The texts present various aspects of the researches conducted on this phenomenon nowadays. As it was an exceptional movement, extremely varied and long-time lasting, it would be difficult to offer its complete synthesis in one volume. Though, the exhaustive presentation of the historical and linguistic contexts allows the reader to understand the phenomenon. Intensified interest in translations of the Bible is closely connected with the interest in the Polish language, its literary expression as well as its grammatical and orthographic standardisation that occurred just in the same time. The intellectual activity related to the Bible contributed simultaneously to the development of the Polish literary language and even inspired the translations of the sacred texts of other religions present in the country. Moreover, contacts between different languages of Central and Eastern European area, where many attempts of new translations appeared, are very important. A quick rise of the different Reformation movements contributed to a »natural« need for new translations and commentaries to be used by community members. These new currents, first easily accepted and spread in the country, even when suppressed, could not stop this activity, and later new Catholic translations and commentaries of the post-Trident period, both in Polish and Lithuanian, proved it. Big part of study is also dedicated to particular typographical realizations of this activity and an interesting example of the musical expression directly inspired by the biblical translation, is also provided.

Author : Joseph Leo Koerner
Publisher : University of Chicago Press
Page : 508 pages
File Size : 39,69 MB
Release : 2004-05-03
Category : Art
ISBN : 9780226450063

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With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.