[PDF] Antonio Pietrangeli The Director Of Women eBook

Author : Emma Katherine Van Ness
Publisher : Anthem Press
Page : 272 pages
File Size : 38,46 MB
Release : 2020-04-30
Category : Performing Arts
ISBN : 1785273183

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One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli’s representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women’s lives off-screen.

Author : Emma Katherine Van Ness
Publisher : Anthem Press
Page : 402 pages
File Size : 26,10 MB
Release : 2020-04-30
Category : Performing Arts
ISBN : 1785273191

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One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli’s representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women’s lives off-screen.

Author : Emma Katherine Van Ness
Publisher :
Page : 300 pages
File Size : 45,20 MB
Release : 2013
Category :
ISBN :

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This study will examine the work of Antonio Pietrangeli both as film theorist and as director. Critics have long considered Pietrangeli an anomaly, difficult to place into genres, since his cinema focused primarily on female protagonists. This dissertation will investigate the idea of Pietrangeli as a feminist practitioner, tying his early writings on film from the late Forties as well as his later film production from the Fifties and Sixties to feminist and film theory. While some of this theory was contemporary to Pietrangeli, what this study will show is that he was anticipating later developments in critical, feminist, and structuralist theory, in particular apparatus theory and psychoanalytic theory in film studies. Since Pietrangeli has a history of being marginalized, misunderstood, and ignored in Italian film studies, this dissertation seeks to remedy that omission by bringing his work into dialogue with other established film critics and auteurs in order to show that his unique voice, both in theory and in praxis, deserves scholarly attention and consideration.

Author : Natalie Fullwood
Publisher : Springer
Page : 262 pages
File Size : 28,37 MB
Release : 2015-03-05
Category : Performing Arts
ISBN : 1137403578

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Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.

Author : Laura Di Bianco
Publisher : Indiana University Press
Page : 268 pages
File Size : 18,73 MB
Release : 2022-12-06
Category : Social Science
ISBN : 0253064678

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Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.

Author : Annette Burfoot
Publisher : Wilfrid Laurier Univ. Press
Page : 354 pages
File Size : 27,76 MB
Release : 2011-04-07
Category : Social Science
ISBN : 0889205264

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The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.

Author : Gian Piero Brunetta
Publisher : Princeton University Press
Page : 412 pages
File Size : 25,81 MB
Release : 2009
Category : Art
ISBN : 9780691119885

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Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.

Author : Sharon Hecker
Publisher : Springer Nature
Page : 448 pages
File Size : 16,36 MB
Release : 2023-04-13
Category : Literary Criticism
ISBN : 3031148169

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This book is the first critical interdisciplinary examination in English of Italian women’s contributions to intellectual, artistic, and cultural production in modern Italy. Examining commonalities and diversities from the country’s Unification to today, the volume provides insight into the challenges that Italian women engaged in cultural production have faced, and the strategies they have deployed in order to achieve their objectives. The essays address a range of issues, from women’s self-identification and public ownership of their professional roles as laborers in the intellectual and cultural realm, to questions about motherhood and financial remuneration, to the role of creative foreign women in Italy. Through critical analysis and direct testimony from new and typically marginalized voices, including an Arab-Italian writer, an Italian-Dominican filmmaker, and a transgender activist, new forms of ongoing struggle emerge that redefine the culturally diverse landscape of female intellectual and creative production in Italy today. The volume rethinks a solely national “Made in Italy” reading of the subject of female intellectual labor, demonstrating instead the wide network of influences and relationships that have existed for Italian women in their professional aspirations.

Author : Luca Barattoni
Publisher : Edinburgh University Press
Page : 288 pages
File Size : 17,78 MB
Release : 2012-10-09
Category : Performing Arts
ISBN : 0748650733

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Unlike countries like France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history.Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period. The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture.