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A lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.
In a time when our loves feel conscripted and exhausted by what we often do not remember desiring, Another Love: A Politics of the Unrequited explores the form, method, imperatives, and inflections of love in the global post colony, and offers a way to re-apprehend and re-inscribe love in an anticolonial, materialist, and nonfascist politics and aesthetics. The figure of “the unrequited” is invoked as a symptom of a brutally loveless yet effusively sentimentalized era, and also as an ineluctable yet very concrete political location in the face of both the intensifying external realities of war, occupation, apartheid, austerity, and terror, as well as the increasingly normalized internalizations of ordinary imperialism, nationalism, neoliberalism, fascism, and colonialism—all of which seem bent on extinguishing the possibility of relation itself. The book asks that we look at practices of love and other material labors that yield and sustain these realities within complex lifeworlds; indeed, those which sustain entire systems of our subjection, extraction, and disposability—such as colonialism, capitalism, liberalism, and fascism—as lifeworlds, especially when given, dominant, forms of recognition, affection, embrace, and belonging are unacceptable or even repulsive. Distancing itself from shortcuts afforded by love’s abstract forms deployed in ethical and moral discourses that at once elevate it yet wholly reduce it to a timeless, apolitical, essence, Another Love sees love as a material and political relation to time and space, signaling willed and unwilled shifts in historical reality in societies juggling various wars and annihilations. It maintains that love is something in and with which we confess our complicities not only with but also against hegemonic notions of belonging, devotion, martyrdom, hospitality, publicity, collectivity, and solidarity nurtured and harvested under capital and colony. The longing and the love—missed by the pernicious and reactionary politics both of liberal democracy and the incidental fascisms that it claims to set out to fix—can give us clues into past, present, and future, moments of rebellion, resistance, rejection, and redemption that are crucial to a liberatory, anticolonial, and antifascist politic, and to rethinking attachment, desire, and relation itself.
An aspiring teenage singer finds herself playing a different tune when she falls for a boy who could jeopardize her future dreams in Olivia Wildenstein's romantic YA novel, Not Another Love Song. Angie has studied music her entire life, nurturing her talent as a singer. Now a high school senior, she has an opportunity to break into Nashville's music scene via a songwriting competition launched by her idol, Mona Stone. Discouraged by her mother, who wishes Angie would set more realistic life goals, she nonetheless pours her heart and soul into creating a song worthy of Mona. But Angie's mother is the least of her concerns after she meets Reedwood High’s newest transfer student, Ten. With his endless collection of graphic tees, his infuriating attitude, smoldering good looks, and endearing little sister, Ten toys with the rhythm of Angie’s heart. She’s never desired anything but success until Ten entered her life. Now she wants to be with him and to be a songwriter for Mona Stone, but she can’t have both. And picking one means losing the other.
From the million-copy bestseller Amanda Prowse, the queen of heartbreak fiction. Amanda Prowse is the author of The Coordinates Of Loss and the no.1 bestsellers Perfect Daughter, My Husband's Wife and What Have I Done? In the early years, she was happy. Romilly loved her stunning house, her kind husband and gorgeous daughter. Sure, life was sometimes exhausting – but nothing that a large glass of wine at the end of the day couldn't fix. But then a glass of wine became a bottle; one bottle became two. Once, Romilly's family were everything to her. Now, after years of hiding the drinking, she must finally admit that she has found another love... Reviews for Amanda Prowse: 'Prowse handles her explosive subject with delicate skill... Deeply moving and inspiring' DAILY MAIL. 'Powerful and emotional family drama that packs a real punch' HEAT. 'A gut wrenching and absolutely brilliant read' IRISH SUN. 'Captivating, heartbreaking, superbly written' CLOSER. 'Very uplifting and positive, but you may still need a box (or two) of tissues' HELLO. 'An emotional, unputdownable read' RED. 'Prowse writes gritty, contemporary stories but always with an uplifting message of hope' SUNDAY INDEPENDENT.
Jodi is a scientist, a rational man, a researcher into travel between alternate universes. If he's also in love with the laboratory's senior researcher, Michael, then so what? It's not as if anything's ever going to come of it, Michael has never looked at him with a trace of interest in that way... Until their experiments get closed down by the authorities, and they make one last reckless desperate attempt to reach an alternate reality. A reality where they find werewolves, and vampires, and a whole other Jodi and Michael, living very different lives...
One of E! News' 13 Books to Read This September | One of Bookish's Debuts to Read in the Second Half of 2021 | One of Medium's Best Releases Out Today “Hazel Hayes writes with such honesty and casual confidence and flowing dialogue, you feel you are overhearing it rather than reading it. The writing sparkles with wit and a poignant emotional reality. I love it.”—Matt Haig, bestselling author of The Midnight Library “A smart, touching, time-bending romance. Funny and affecting.”—David Nicholls, bestselling author of One Day and Sweet Sorrow For anyone who has loved and lost, and lived to tell the tale, this gorgeously written debut is a love story told in reverse, a modern novel with the heart of a classic: truthful, tragic, and ultimately full of hope. Out of Love begins at the end. A couple call it quits after nearly five years, and while holding a box of her ex-boyfriend’s belongings, the young woman wonders: How could they have spent so long together? When did they fall out of love? Were there good times before the bad? These are the questions we obsess over when a relationship ends, even when obsessing can do no good. But instead of moving forward through the emotional fallout of a break-up, Out of Love moves backward in time, weaving together an already unraveled tapestry, from tragic ending to magical first kiss. Each chapter jumps further into the past, mining their history for the days and details that might help us understand love; how it happens and why it sometimes falls apart. Readers of Normal People; Goodbye, Vitamin; and One Day will adore this bittersweet romance, a sparkling debut that you won’t want to miss.
Two high school sweethearts get a second chance at their perfect ending in this charming new romance by Kerry Winfrey, author of Very Sincerely Yours. Once upon a time, Sandy Macintosh thought she would have her happily ever after with her high school sweetheart, Hank Tillman. Sandy wanted to be an artist, Hank was the only boy in town who seemed destined for bigger things, and they both had dreams to escape town together. But when Sandy’s plans fell through, she stayed in their small town in Ohio while Hank went off to Boston to follow his dreams to be a musician, with the promise to stay together. Only that plan fell through, too. Fifteen years later, Sandy runs a successful greenhouse while helping her parents with their bed and breakfast. Everything is perfect…until Hank rolls back into town, now a famous alt-country singer with a son in tow. She’s happy with the life she’s built by herself, but seeing Hank makes her think about what might have been. There aren’t enough cliché love songs in the world to convince Sandy to give Hank another chance, but when the two of them get thrown together to help organize the town’s annual street fair, she wonders if there could be a new beginning for them or if what they had is just a tired old song of the past.
Phoebe's life with her granddaughter Kate is turned upside down when she begins to write a book about Thomas A. Beckett. She starts to see strange parallels between her life and that of the saint, as does Kate. The two women become embroiled in historical figures and images from the past.
In 'Another Way of Looking at Love', the landscape is explored as a metaphor to consider the personal, societal, and environmental consequences of disconnection, and simultaneously, our yearning to be connected. From 2015-2018, Janelle Lynch (born 1969) has used an 8 x 10 camera to create still lives in the landscape that combine similar and disparate visual and biological elements. This process begins by identifying details in nature that, based on a unique vantage point, created geometric formations of closure. The connective point, or nucleus, that is created by the union becomes the artist?s plane of focus. The work is informed by Lynch?s recent immersion in drawing and painting from perception, primarily by charcoal mark-making?a new aspect of her practice that has allowed for a deeper inquiry into the nature of seeing, such as: formal abstraction, color relativity, and the notion of relationality.