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Laurie and Matt Krieg are in a mixed-orientation marriage: Laurie is primarily attracted to women—and so is Matt. With vulnerability and wisdom, they tell the story of how they met and got married, the challenges and breakthroughs of their journey, and what they've learned about how marriage is meant to point us to the love and grace of Jesus.
font size="+1"'As her work reappears, another missing jigsaw piece is replaced' Independent/font size Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym. ****************** It's between the wars, and Christine - Christie, to her friends - is tired of London, her job in a travel agency, her friends, and the young men she's being set up with. So when, by chance, she meets the older Ned Skelton, who seems sophisticated and experienced, she quickly becomes besotted. Before Christie knows it, they are engaged. But will marriage to a man she doesn't know well truly offer this young woman an escape? Or is she walking into another prison of her own making? A classic coming-of-age story set in the 1930s, by one of Britain's best-loved and almost-forgotten novelists. 'A story so vivid it might be the memoir of a real person' Britannia and Eve ****************** Praise for Pamela Hansford Johnson: 'Witty, satirical and deftly malicious' Anthony Burgess 'A remarkable craftswoman' A.S. Byatt 'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell 'A writer whose memory fully deserves to be kept alive' Jonathan Coe
THE STORY : The entire action of the play takes place in Kandall Kingsley's beautiful and mysterious garden. Kandall's youngest daughter, Pandora, is to be wed to Edvard Lunt, a worldly artist twice her age. Kandall does not think the match to be at
The art of marriage is finding fewer and fewer artists these days. It is also widely held that as national politics go, so go our marriages. As a therapist, Bronson has seen this come to sorry light in the worst way, which begs the question: 'Why save a marriage that doesn't want to be saved?' Because, Bronson contends, as with politics, people are more productively functional and happier when they get along. Partnerships work, although many contend that we should change partners now and again. While an apt therapist, Bronson is not a moralist. He does not tell people how to love or who(m) to love. All he seeks to do, is help people to feel whole and able about radiating love, and in that shining light often partners see their spouses in a better light. His message to making impossible marriages is simple: Before you elect to become half, first become whole.