[PDF] Aesthetics Of Power eBook

Author : Claire Keyes
Publisher : University of Georgia Press
Page : 234 pages
File Size : 32,98 MB
Release : 2008
Category : Literary Criticism
ISBN : 0820333514

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When still a senior at Radcliffe, Adrienne Rich was selected as a Yale Younger Poet. The judge, W.H. Auden, wrote the introduction to her first book of poems. Thus Rich's career was launched by one of the most distinguished poets of the twentieth century, someone Rich herself admired and emulated. Adrienne Rich's early mentors were men, and her early poetry consequently adopted a strong male persona. In her development as artist, woman, and activist, however, Rich emerged as a leading voice of modern feminism--a voice which rejects a male-dominated world, forcing new definitions of power, new possibilities for women, and profound repercussions for society. In The Aesthetics of Power, Claire Keyes examines the shape and scope of Rich's poetry as it applies to Rich's female aesthetic. Keyes uncovers the process by which Rich embraces, then rejects, accepted uses of power, achieving a vision of beneficent female power. In her early poems, Adrienne Rich accepts certain traditions associated with the divisions of power according to sex. Later, Rich continually defines and redefines power until she can reject power-as-force (patriarchal power) for the power-to-transform, which, for her, is the truly significant and essential power. Surveying Rich's poetry and prose from 1951 to the present, this book traces the development of Adrienne Rich's new understanding of the power of the poet and the power of woman. Sharing Rich's feminist sensibilities, yet at times critical of her more radical positions, Claire Keyes draws a portrait of an artist who was molded by the complex political and social climate of post-World War II America. It is a portrait that reveals the creative growth of an artist, and the personal growth of a powerful and controversial woman.

Author : Frederic Spotts
Publisher : Harry N. Abrams
Page : 0 pages
File Size : 25,55 MB
Release : 2018-10-16
Category : History
ISBN : 9781468316711

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Available again, the classic, unprecedented look at how the strategies and ideals of the Third Reich were informed by Adolf Hitler's artistic aspirations. "Grimly fascinating . . . A book that will rightly find its place among the central studies of Nazism. . . . Invaluable." --The New York Times

Author : Simonetta Falasca-Zamponi
Publisher : Univ of California Press
Page : 318 pages
File Size : 34,35 MB
Release : 2023-09-01
Category : History
ISBN : 0520926153

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This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.

Author : Tanner Guzy
Publisher : Createspace Independent Publishing Platform
Page : 150 pages
File Size : 21,66 MB
Release : 2017-11-15
Category :
ISBN : 9781979138406

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Power has an appearance and appearance has power. Ideally those two would line up together and the world would be full of good, masculine men who dress and look like good masculine men. But all too often, reality is something different. There are good men and strong leaders out there who dress and look like children or bums. There are awful, lazy men in the world who dress in a way that hides their vices from those around them and makes them appear better than they truly are. In an attempt to correct for these disparities, our current culture tries to rob both appearance of its power and power of its appearance - to say that the way a person dresses or looks doesn't - or at least shouldn't matter. We're given platitudes like, "don't judge a book by its cover" and there's a often a cultural rush to prove ourselves as non-judgmental as we can. But a man's appearance has been an integral part of humanity since before the dawn of civilization. As human beings we use mental shortcuts when assessing our surroundings and the people within them. It is inefficient and dangerous to treat every object, scenario, and person as a blank slate or an unknown. And, because it is our tendency to judge according to visual stimuli, we use physicality, body language, grooming, and clothing to quickly and effectively communicate who we are and how we want other people to perceive us. Some men dress to appear more physically threatening, others to convey status and power within social spheres, some attempt to fit in and not draw attention to themselves, and others will use their clothing to show their disdain for the social norms around them. Regardless of what your intentions are, your clothing says something about you. And no, this doesn't just apply to you, but to every man who has ever interacted with another human being. From the ancient shaman, to the Wall Street banker, the Pope to the gutter punk, all men use clothing and appearance to tell the world who we are. Which means it's worthwhile for you to understand how to use this tool effectively. The purpose of this book is to outline the underlying principles of how clothing affects men and masculinity. Understanding and applying those principles will take you far beyond looking like you've been dressed by an image consultant, in one of his five variations of acceptable clothing, and into the realm of being well-dressed all the time.

Author : Lutz Peter Koepnick
Publisher : U of Nebraska Press
Page : 296 pages
File Size : 41,78 MB
Release : 1999-01-01
Category : Philosophy
ISBN : 9780803227446

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Walter Benjamin and the Aesthetics of Power explores Walter Benjamin?s seminal writings on the relationship between mass culture and fascism. The book offers a nuanced reading of Benjamin?s widely influential critique of aesthetic politics, while it contributes to current debates about the cultural projects of Nazi Germany, the changing role of popular culture in the twentieth century, and the way in which Nazi aesthetics have persisted into the present. Lutz Koepnick first explores the development of the aestheticization thesis in Benjamin?s work from the early 1920s to his death in 1940. Pushing Benjamin?s fragmentary remarks to a logical conclusion, Koepnick sheds light on the ways in which the Nazis employed industrial mass culture to redress the political as a self-referential space of authenticity and self-assertion. Koepnick then examines to what extent Benjamin?s analysis of fascism holds up to recent historical analyses of the National Socialist period and whether Benjamin?s aestheticization thesis can help conceptualize cultural politics today. Although Koepnick insists on crucial differences between the stage-managing of political action in modern and postmodern societies, he argues throughout that it is in Benjamin?s emphatic insistence on experience that we may find the relevance of his reflections today. Walter Benjamin and the Aesthetics of Power is both an important contribution to Benjamin studies and a revealing addition to our understanding of the Third Reich and of contemporary culture?s uneasy relationship to Nazi culture.

Author : Carol Duncan
Publisher :
Page : 230 pages
File Size : 27,55 MB
Release : 1993
Category : Philosophy
ISBN : 9780521420440

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The Aesthetics of Power gathers together the key articles and essays by Carol Duncan, one of the pioneers of a new socio-political approach to art history and criticism, and one of the strongest feminist voices to emerge in the 1970s and '80s. These essays, many of which have become classics, explore a wide variety of subjects: images of mothers, fathers, and children in eighteenth century art and culture; the image of the female nude in the context of the modern museum; and the role of modern art criticism in today's art market. Other essays examine the contexts in which art is seen, taught, and made. Whatever her theme, Duncan treats art as a working part of a larger social reality and a pathway to understanding its deepest tensions, fears, and desires. A final section of this book is devoted to the life and collected critical writings of Cheryl Bernstein, a fictitious critic created by Duncan as parody, but who was taken as a real and eventually influential, critic.

Author : Crispin Sartwell
Publisher : Cornell University Press
Page : 281 pages
File Size : 42,70 MB
Release : 2011-03-15
Category : Philosophy
ISBN : 0801458005

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"I suggest that although at any given place and moment the aesthetic expressions of a political system just are that political system, the concepts are separable. Typically, aesthetic aspects of political systems shift in their meaning over time, or even are inverted or redeployed with an entirely transformed effect. You cannot understand politics without understanding the aesthetics of politics, but you cannot understand aesthetics as politics. The point is precisely to show the concrete nodes at which two distinct discourses coincide or connive, come apart or coalesce."—from Political Aesthetics Juxtaposing and connecting the art of states and the art of art historians with vernacular or popular arts such as reggae and hip-hop, Crispin Sartwell examines the reach and claims of political aesthetics. Most analysts focus on politics as discursive systems, privileging text and reducing other forms of expression to the merely illustrative. He suggests that we need to take much more seriously the aesthetic environment of political thought and action.Sartwell argues that graphic style, music, and architecture are more than the propaganda arm of political systems; they are its constituents. A noted cultural critic, Sartwell brings together the disciplines of political science and political philosophy, philosophy of art and art history, in a new way, clarifying basic notions of aesthetics—beauty, sublimity, and representation—and applying them in a political context. A general argument about the fundamental importance of political aesthetics is interspersed with a group of stimulating case studies as disparate as Leni Riefenstahl's films and Black Nationalist aesthetics, the Dead Kennedys and Jeffersonian architecture.

Author : Diego A. Von Vacano
Publisher : Lexington Books
Page : 234 pages
File Size : 43,1 MB
Release : 2007
Category : Philosophy
ISBN : 9780739121931

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The Art of Power is a challenge to traditional political theory. Diego A. von Vacano examines the work of Machiavelli, arguing that he establishes a new, aesthetic perspective on political life. He then proceeds to carry out the most extensive analysis to date of an important relationship in political theory: that between the thought of Machiavelli and Friedrich Nietzsche. Arguing that these two theorists have similar aims and perspectives, this work uncovers the implications of their common way of looking at the human condition and political practice to elucidate the phenomenon of the persistence of aesthetic, sensory cognition as fundamental to the human experience, particularly to the political life. By exploring this relationship, The Art of Power makes a significant contribution to the growing interest in the intersection of aesthetic theory and political philosophy as well as in interdisciplinary and comparative perspectives on political theory.

Author : Mustafa Dikec
Publisher : Edinburgh University Press
Page : 177 pages
File Size : 39,34 MB
Release : 2015-06-04
Category : Philosophy
ISBN : 0748686010

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Mustafa Dikec reveals the aesthetic premises that underlie Hannah Arendt, Jean-Luc Nancy and Jacques Ranciere's political thinking, and demonstrates how their politics depend on the construction and apprehension of worlds through spatial forms and distrib