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“A near perfect slice of crime, action and drama. Triggerman should be on everyone’s reading list.” – The Guardian Locked up for a life of murder, Roy Nash never thought he’d walk the streets again, let alone rescue his beloved, Lena. But when the city’s Mafia elite spring the notorious gun-for-hire to handle one last assignment, Roy once again finds himself thrown headfirst into a life of bloodshed and bullets as he sprints a breathless race to save the girl he left behind. From legendary screenwriter and director Walter Hill (The Warriors, Red Heat, Last Man Standing) comes this hardboiled crime thriller set in the bullet-ridden streets of 1930s Los Angeles.
A 50 page Companion Booklet To The Spoken Word Album. Writer/Director Walter Hill, well-known for his westerns (The Long Riders, Geronimo, Wild Bill, Deadwood, Broken Trail), tells the story of a shootout that occurred in Newton, Kansas in 1871 and its legendary aftermath of violence and controversy. "The Cowboy Iliad reaches back to the spoken tradition of storytelling - designed to have no simple resolution, but a mix of history, nostalgia and speculation. And, of course, we wanted to honor the tradition of the Western... In other words, Bobby Woods and I had a couple of shooters and made a record." - Walter Hill As heard on The Cowboy Iliad Spoken Word Album. Hill makes his recording debut at the age of 77, and, for the first time, his writing is presented using his own voice. Hill began his film career as screenwriter, notably working with filmmakers Sam Peckinpah (The Getaway) and John Huston (The MacKintosh Man). He made his own directorial debut in 1975 with Hard Times starring Charles Bronson and James Coburn. In the years following he directed many films, including The Driver, The Warriors, Southern Comfort, 48 HRS., Streets Of Fire, Red Heat, Johnny Handsome, Last Man Standing, Bullet To The Head, and most recently The Assignment. Hill also served as a co-writer and co-producer on the first three Alien films. Recently, Hill has written three graphic novels published in Paris by Rue de Sèvres; Balles Perdues, Corps et Âme, and Le Specimen. The Cowboy Iliad is written by Walter Hill. The album is produced by Bobby Woods with music performed by Les Deux Love Orchestra.The album is released by Heart Times Coffee Cup Studios and available on Amazon, Spotify, iTunes, Apple Music, and everywhere records are streamed and sold.
The summer of 1989 was a particularly turbulent one for Walter Chaw, who found solace in a little movie about the end of the world, Steve De Jarnatt's genre-bending "Miracle Mile". Part memoir, part critical study, and featuring the participation of writer-director De Jarnatt, this monograph is an utterly unique chronicle of the Reagan era that examines how the most public of media can give meaning to the most private apocalypse.
The basis for the cult-classic film The Warriors chronicles one New York City gang’s nocturnal journey through the seedy, dangerous subways and city streets of the 1960s. “Warriors, come out to play-yay!” Every gang in the city meets on a sweltering July 4 night in a Bronx park for a peace rally. The crowd of miscreants turns violent after a prominent gang leader is killed and chaos prevails over the attempt at order. The Warriors follows the Dominators making their way back to their home territory without being killed. The police are prowling the city in search of anyone involved in the mayhem. An exhilarating novel that examines New York City teenagers, left behind by society, who form identity and personal strength through their affiliation with their “family,” The Warriors “goes to the core of the heart of darkness” as it weaves together social commentary with ancient legends for a classic coming-of-age tale (Flyer). This edition includes a new introduction by the author. “It seems to me the best novel of its kind I’ve ever read, an altogether perfect achievement. I’m sure that to many it will sound like sacrilege but I have to say that I think it a better novel than Lord of the Flies.” —Warren Miller, author of The Cool World
In The Films of Walter Hill: Another Time, Another Place, Brian Brems explores how, as action emerged as a full-fledged genre of cinema, Walter Hill established his position in the genre, first as a screenwriter and then as a director. Hill, Brems argues, helped merge the thematic and stylistic concerns of the Western and film noir into a new action cinema, establishing a reputation for mythic, highly-stylized storytelling driven by a relentless pace. Through analyses of Hill’s filmography, this book demonstrates his consistent use of the architecture of classical storytelling to help codify the language of the action movie. These observations are supported by extensive conversations with Walter Hill and several of his on-screen collaborators, including Lance Henriksen, Sigourney Weaver, David Patrick Kelly, James Renmar, and William Sadler. Ultimately, Brems positions Hill as a key American film artist, whose work has inspired countless imitations.
"Hitman Frank Kitchen's latest assignment takes a turn for the worse when his victim's sister, a sociopathic surgeon, decides to punish him in the unique way only she can. Abducted and operated on against his will, Frank comes to in an unexpected condition, but with a hitman's hunger for revenge!" -- from book version via OCLC.
A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.