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The show crept into town late one dark October night to the eerie whine of a calliope. In the terrifying days that followed, everything changed... Two boys stumbled onto the first of the secrets - the nightmare merry-go-round that produced the grisly turnabout of human beings. But not until they actually became part of the dance of death did they discover the final mystery of all...
A study guide for Ray Bradbury's "Something Wicked This Way Comes", excerpted from Gale's acclaimed Novels for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Something Wicked This Way Comes is Ray Bradbury's incomparable work of dark fantasy, and the gifted illustrator Ron Wimberly has stunningly captured its sinister magic in gorgeously realized black-and-white art. Cooger and Dark's Pandemonium Shadow Show howls into Green Town, Illinois, at three in the morning a week before Halloween. Under its carnival tents is a mirror maze that steals wishes; a carousel that promises eternal life, in exchange for your soul; the Dust Witch, who unerringly foresees your death; and Mr. Dark, the Illustrated Man, who has lived for centuries off the misery of others. Only two boys, Will Halloway and Jim Nightshade, recognize the dark magic at work and have a plan to stop this ancient evil—that is, if it doesn't kill them first. Complete with an original introduction by Bradbury, Ray Bradbury's Something Wicked This Way Comes: The Authorized Adaptation reintroduces this thrilling classic.
Ray Bradbury, the undisputed Dean of American storytelling, dips his accomplished pen into the cryptic inkwell of noir and creates a stylish and slightly fantastical tale of mayhem and murder set among the shadows and the murky canals of Venice, California, in the early 1950s. Toiling away amid the looming palm trees and decaying bungalows, a struggling young writer (who bears a resemblance to the author) spins fantastic stories from his fertile imagination upon his clacking typewriter. Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him. Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.
The summer of '28 was a vintage season for a growing boy. A summer of green apple trees, mowed lawns, and new sneakers. Of half-burnt firecrackers, of gathering dandelions, of Grandma's belly-busting dinner. It was a summer of sorrows and marvels and gold-fuzzed bees. A magical, timeless summer in the life of a twelve-year-old boy named Douglas Spaulding—remembered forever by the incomparable Ray Bradbury. The only god living in Green Town, Illinois, that Douglas Spaulding knew of. The facts about John Huff, aged twelve, are simple and soon stated. • He could pathfind more trails than any Choctaw or Cherokee since time began. • Could leap from the sky like a chimpanzee from a vine. • Could live underwater two minutes and slide fifty yards downstream. • Could hit baseballs into apple trees, knocking down harvests. • Could jump six-foot orchard walls. • Ran laughing. • Sat easy. • Was not a bully. • Was kind. • Knew the words to all the cowboy songs and would teach you if you asked. • Knew the names of all the wild flowers and when the moon would rise or set and when the tides came in or out. He was, in fact, the only god living in the whole of Green Town, Illinois, during the twentieth century that Douglas Spaulding knew of. “[Ray] Bradbury is an authentic original.”—Time