[PDF] A History Of English Prose Rhythm 1912 eBook

Author : George Saintsbury
Publisher : Literary Licensing, LLC
Page : 506 pages
File Size : 47,61 MB
Release : 2014-08-07
Category :
ISBN : 9781498135450

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This Is A New Release Of The Original 1912 Edition.

Author : George Saintsbury
Publisher : Nabu Press
Page : 512 pages
File Size : 46,89 MB
Release : 2014-03-15
Category :
ISBN : 9781294873266

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A History Of English Prose Rhythm George Saintsbury Macmillan and co., limited, 1912 English language; English prose literature

Author : George Saintsbury
Publisher : Theclassics.Us
Page : 178 pages
File Size : 14,18 MB
Release : 2013-09
Category : English prose literature
ISBN : 9781230365268

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1912 edition. Excerpt: ... CHAPTER VIII AUGUSTAN PROSE The prevailing of the plain style--The group of 1630--Distribution of the chapter--Cowley--Dryden--South--Halifax--Temple and his masterpiece--The plainest styles, vulgar and not vulgar --The non-vulgarians: L'Estrange and Tom Brown--Bunyan-- The vulgarians--The effect of abbreviations--Instances from Rymer, etc.--Defoe--Swift--The rhythmical character of irony --Addison--Hurd's dealings with his rhythm--His supposed "Addisonian termination"--His general view of Addison's "harmony" -- Specimens of Addison himself--Rhythmical analysis of them -- Selections of other Queen Anne men necessary -- Berkeley -- Shaftesbury -- Bolingbroke -- Letterwriters and novelists to be shortly, dealt with -- Conyers Middleton--Efforts at variety--Adam Smith--Interim observations on this prose--Attempts to raise it--Johnson: different views respecting him--His relation to Browne--Characteristics of the Johnsonian style--Burke: his oratorical ethos--His declared method--Early examples--Middle--Later--Examples and comments--Gibbon: his peculiarity--Its general effect, and that of the other reformers--The standard Georgian style --Southey. We have seen, in the last two chapters, how, between The prevailing 1600 and 1660, a sort of underground, and, as the French t plam would say, sourd, conflict went on between the style or styles of prose which carried the use of rhythm almost to) ) its farthest possible, and that or those which, without entirely disregarding it (for there will hardly be found an example of any such at this time), did not make it a chief object, neglected its finer and more elaborate forms, and used few of its more notable figures and schemes v except balance. The state of things is not very different from...

Author : George 1845-1933 Saintsbury
Publisher : Wentworth Press
Page : 510 pages
File Size : 23,54 MB
Release : 2016-08-26
Category : History
ISBN : 9781362803867

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : George Saintsbury
Publisher : Forgotten Books
Page : 516 pages
File Size : 38,1 MB
Release : 2017-09-12
Category : Literary Collections
ISBN : 9781528249423

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Excerpt from A History of English Prose Rhythm Now, on the possibility, and still more on the use, of this latter, in regard to the majority of subjects, I am something of a sceptic; and even when I acknowledge the felicity of knowing the causes of things, I think it well to know the things themselves first. I do not, however, intend to neglect theory altogether, and some generalising suggestions will be found in the Interchapters which summarise the successive Periods, as well as in the Conclusion, and especially in Appendix III. But I wish chiefly to bring out the facts of this interesting and much neglected matter; and to indicate the additional delecta tion which attends the study of them. To sport with Amaryllis (if Amaryllis be poetry) may be best but there remains a Neara in prose, and the tangles of her hair are not to be despised by the sportsman-lover. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.