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6 Concertos

Author : William D. Gudger
Publisher : A-R Editions, Inc.
Page : 90 pages
File Size : 45,33 MB
Release : 1981-01-01
Category : Concertos
ISBN : 0895791595

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Konzerte, Fl Ob Fg Orch, RV 570

Author : Antonio Vivaldi
Publisher : Courier Corporation
Page : 194 pages
File Size : 29,24 MB
Release : 2002-01-01
Category : Music
ISBN : 0486422437

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Vivaldi's finest compositions for flute solo and string orchestra. Op. 10: Concerto No. 1 in F, "The Sea Tempest" (RV433); Concerto No. 2 in G minor, "Night" (RV439); Concerto No. 3 in D, "The Goldfinch" (RV428); Concerto No. 4 in G (RV435); Concerto No. 5 in F (RV434); and Concerto No. 6 in G (RV437).

The six Brandenburg concertos

Author : Johann Sebastian Bach
Publisher : Courier Corporation
Page : 196 pages
File Size : 12,26 MB
Release : 1997-01-01
Category : Music
ISBN : 9780486297958

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Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.

The Scoring of Baroque Concertos

Author : C. R. F. Maunder
Publisher : Boydell Press
Page : 304 pages
File Size : 19,12 MB
Release : 2004
Category : Music
ISBN : 9781843830719

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Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.

The Oldest Music Room in Europe

Author : John Henry Mee
Publisher : London : J. Lane ; New York : John Lane
Page : 316 pages
File Size : 16,39 MB
Release : 1911
Category : Concerts
ISBN :

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The Holywell room.